Thanks to Shawna Tenney for inviting me to be in a blog tour. It's fun connecting with other bookmakers in my profession.
1. What am I working on?
Just now I'm working on a book set in the woods, which is a very fun world to escape to. It's about a fox family and it's set in the deep woods. So I get to make up the entire woodsy world. I have a school scene with raccoons, beavers, badgers, squirrels and owls. Maybe it's the Beatrix Potter syndrome coming out? Anyhow it's loads of fun. I love drawing anthropomorphic animals... as I did with 'Peter Panda Melts Down!', where I created a world with pandas, cats and bears.
But then I think of drawing and making pictures as basically fun. Drawing and coloring - that's the world for me.
 |
| Characters from the new work in progress |
 |
| A sketch from a new book |
2. How does my work differ from others of this genre?
I'd guess if anyone can recognize my work, then I'll have succeeded in differing myself from the other 15,000 children's illustrators out there. I think most illustrators basically just make their art - so that's their style. So anything different must be me - or my style. The key is to try to make the work contain the basics involved in art - things like draftsmanship, perspective, design, tasteful color. The designing of any illustration usually is limited by the page and text, so often it's a challenge to fit the artwork into the remaining space.
Here's an insightful series that shows how a character was developed from my recent book 'Spot Saves the Day'.
Here's an insightful series that shows how a character was developed from my recent book 'Spot Saves the Day'.
 |
| A sequence of character development |
3. Why do I write what I do?
Inspiration is mysterious - there's no two ways about that. I write and write and write, whenever the inspiration strikes. Some of my stories start out on an envelope or back of a grocery list. Sometimes a particular phrase will catch my mind and that leads to the motif of the story. Usually the first line kind of jumps out in a declarative way and the book follows along.
Sometimes a story will fall together wonderfully complete - other times it only comes out halfway and gets stuck. But only one out of maybe 10 or 20 stories I write ever gets published. I think that's average for most writers. Anyhow, one never writes so much as one re-writes. The same rule applies to making art. I never just draw as much as I re-draw.
Here is the dummy to 'The Cranksville Cookout' along with the main set of characters.
Sometimes a story will fall together wonderfully complete - other times it only comes out halfway and gets stuck. But only one out of maybe 10 or 20 stories I write ever gets published. I think that's average for most writers. Anyhow, one never writes so much as one re-writes. The same rule applies to making art. I never just draw as much as I re-draw.
Here is the dummy to 'The Cranksville Cookout' along with the main set of characters.
 |
| A story dummied out with Indesign |
4. How does my writing process work?
First the story starts out as a rough diamond. Then I re-write until the words are done. The second half is when the art is added - and that changes everything. As an illustrator author I find that the words are usually less than half the writing, because it really is amazing how much adding the art changes everything.
The working process begins when I take the text and divide it up into 32 page sections and then paste that all into Indesign. When art is added I'll see the many changes that need to be made. Usually half of the text is rewritten.
It seems so obvious when you see the text with the art included. Everything changes - often even parts of the plot seem obvious to change. So it becomes a fun struggle between the words and pictures, like a puzzle. It is true that a picture is worth 1,000 words.
It seems so obvious when you see the text with the art included. Everything changes - often even parts of the plot seem obvious to change. So it becomes a fun struggle between the words and pictures, like a puzzle. It is true that a picture is worth 1,000 words.
Also I need to add that I always use Indesign to create dummy books. It has so many advantages over the old paper & tape method I used to use. With Indesign it's easy to swap out drawings, resize, reorder pages, change text, save different story versions and export the art.
And Indesign does a brilliant job of keeping everything organized with links. Often I can scarcely even find a particular piece of art, but Indesign keeps track of it. So Indesign and Photoshop are my main bookmaking tools.
And Indesign does a brilliant job of keeping everything organized with links. Often I can scarcely even find a particular piece of art, but Indesign keeps track of it. So Indesign and Photoshop are my main bookmaking tools.
 |
| Some steps in making the finish art |
Next week for the book maker blog tour I've tagged Stephen Aitken, a great painter, bookmaker, and traveler to exotic faraway lands for the next installment of the Welcome to the Writing Process: An Author/Illustrator Blog Tour.
About Stephen: (who spends most of the year in Nepal by the way!)
I have been drawing and painting for as long as I can remember. My dad picked up a hitch-hiker in my hometown Ottawa who turned out to be a brilliant artist and he gave me private classes from his home for most of my youth. The ride home on his motorcycle gave the sessions an extra allure. After completing an honors biology degree with a minor in Fine Arts, my artistic hemisphere was reinvigorated by a 2-year stint at the Carleton School of Architecture. I went on to a career as a biological illustrator, then publishing, then editing, then writing…you get the idea. I have been creating my own children’s books for the past 15 years, many of them about the natural world and the rich diversity of life on our planet.
No comments:
Post a Comment